Comments on: Benjamin Schroeder on the counterpoint tool http://synchronousobjects.osu.edu/blog/2009/04/benjamin-schroeder-on-the-counterpoint-tool/ from dance to data to objects Mon, 28 May 2012 13:56:27 -0400 hourly 1 By: BenS http://synchronousobjects.osu.edu/blog/2009/04/benjamin-schroeder-on-the-counterpoint-tool/comment-page-1/#comment-29 BenS Tue, 07 Apr 2009 14:44:54 +0000 http://synchronousobjects.osu.edu/blog/?p=338#comment-29 @Joe Alter: This is a good question. We do plan to make a downloadable counterpoint tool available soon; it will be able to record and play back compositions right in the tool. The nice thing about this is that you can see the sliders moving as different choreographic choices are made, pause the recording and launch out on your own path, etc. Making movies is a good idea too (thanks) - these might be easier to share with others. @Joe Alter: This is a good question. We do plan to make a downloadable counterpoint tool available soon; it will be able to record and play back compositions right in the tool. The nice thing about this is that you can see the sliders moving as different choreographic choices are made, pause the recording and launch out on your own path, etc.

Making movies is a good idea too (thanks) – these might be easier to share with others.

]]> By: Joe Alter http://synchronousobjects.osu.edu/blog/2009/04/benjamin-schroeder-on-the-counterpoint-tool/comment-page-1/#comment-28 Joe Alter Tue, 07 Apr 2009 14:31:40 +0000 http://synchronousobjects.osu.edu/blog/?p=338#comment-28 A more mundane question: is it feasible that the counterpoint tool be made downloadable and functions like save or make move be added like the VideoAbstraction tool? That would be extremely useful in using it both as a compositional and teaching tools. A more mundane question: is it feasible that the counterpoint tool be made downloadable and functions like save or make move be added like the VideoAbstraction tool? That would be extremely useful in using it both as a compositional and teaching tools.

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