The Blog

Choreographic Objects e-Symposium

niceslicesynco

As we go live with our Beta version of the site we’re also kicking off the blog with contributions from the participants in our symposium held here in Columbus, OH at the Wexner Center for the Arts from 3-5pm on April 1. We’re thinking of these posts as our “e-symposium” for audiences outside of Ohio and we invite your comments and questions.

You can also view the live web-cast of the event at by clicking here.

Here is some more info about the symposium:
As an American working internationally for the last thirty years, William Forsythe is recognized as one of the world’s foremost choreographers. His work is celebrated for reorienting the practice of ballet from its identification with classical repertoire into a dynamic 21st-century art form. In recent years and with the establishment of The Forsythe Company, he has extended his choreographic thinking into new forms such as digital media productions, installations for gallery and public spaces, video, and publications. For Forsythe, these projects are part of a larger sphere of interest he terms “choreographic objects.” The idea of a choreographic object allows for the transformation of a dance from one manifestation (the performance on stage) into an array of other possibilities (such as information, animation or installation). This transformation requires cross-disciplinary collaboration and makes space for new connections between art and science, practice and theory.

In this symposium, Forsythe and his collaborators will discuss how the idea of “choreographic objects” took form in Synchronous Objects for One Flat Thing, reproduced, a new interactive web project created collaboratively by Forsythe with Ohio State’s Maria Palazzi (Advanced Computing Center for the Arts and Design) and Norah Zuniga Shaw (Department of Dance) and an interdisciplinary team of collaborators from across the arts and sciences. To celebrate the launch of the project, invited outside experts will contextualize the project in terms of its relevance to current trends in the philosophy of cognition and architecture. Participants will respond to posts and comments on the blog.

We look forward to hearing from you!
—Norah Zuniga Shaw

Share/Save/Bookmark

2 Comments, Comment or Ping

  1. Doug Yeager Commented:

    How will this project relate to more traditional forms of movement notation (Laban, etc)?

    Mon, March 30, 15:03 PM EDT
  2. admin Commented:

    Our interest is in exploring new and different possibilities in creating generative visual literatures for choreographic principles. Laban does a beautiful job and is important for reconstruction and repertory. This is not our focus. However questions about notation, scoring, the nature of a trace are all of interest to us and we find we enjoy our conversations with dance analysis colleagues working with Laban at Ohio State and beyond. our work is not an “either/or” but a “yes and”, we have laban, we have video, we have critics and a historians, what else can we generate to leave a trace of choreographic knowledge…?

    Mon, March 30, 15:03 PM EDT

Add comment

 Required

 Required (Not published)

Allowed tags:

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>